James Ford
Creative Director at Silverstripe (NZ)
Wellington, New Zealand
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With over 20 years in the design industry, James is Silverstripe’s Creative Director. He believes in making things work simply and intuitively and has an eye for typography and clean lines. After immigrating to New Zealand in 2009, James has worked with the likes of Weta Workshop, NZTA, Ministry of Defence, Ministry of Social Development, Department of Internal Affairs, Ministry of Health, Westpac, Meridian and many others. James heads up the creative side of the Strategy & Design team, working with designers to create beautiful, intuitive sites to keep the users' needs at the forefront of everything we do. James is also an artist, exhibiting throughout New Zealand and internationally.
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To em dash or not to em dash: Retaining pride and craft in the age of AI
AI has rapidly changed the way designers, writers and creative teams work. Tasks that once required time, judgement and craft can now be generated in seconds. But as AI becomes increasingly capable of producing creative work, what happens to the human creativity behind it?
This talk explores how AI is changing the design process, web content and creativity more broadly — from the overuse of em dashes in AI-generated copy to bigger questions about authorship, originality, judgement and craft.
AI offers new ways to explore ideas, solve problems and produce work, but it also challenges some of the assumptions we've made about what creative work is for and where its value lies. If the tools become increasingly capable of producing competent work, how do we distinguish genuinely thoughtful creative decisions from simply accepting what the machine gives us?
And what happens to the skills we develop through the process of making — the experimentation, mistakes, dead ends, obsessive attention to detail and accumulated experience that shape creative judgement?
This isn't an anti-AI argument. Nor is it an argument that AI inevitably belongs in every creative workflow. Instead, it asks what we should hold onto when new technology makes it possible to remove more and more of the traditional process.
Because creativity isn't just about the thing that gets produced. It's also about the thinking, choices, skills and human effort that go into making it. In an age when machines can generate almost anything, retaining pride in the craft may become one of the most important creative choices we have.
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