Rosemary Candelario is an artist-scholar with research interests in Asian American and Asian diasporic dance, butoh, ecology, site-related performance, and representations of sex and reproduction in performance and popular culture. She was awarded the 2018 Oscar G. Brockett Book Prize for Dance Research for Flowers Cracking Concrete: Eiko & Koma's Asian/American Choreographies (Wesleyan University Press 2016) and the 2024 Ruth Lovell Murray Book Award for Dance Research Methodologies: Ethics, Orientations, and Practices (Routledge 2023, co-edited with Matthew Henley). She received the 2022 Mid-Career Award from the Dance Studies Association. Rosemary has published articles in journals such as Choreographic Practices, Dance Research Journal, Post45: Contemporaries, and The Scholar & Feminist Online, among others, and is the co-editor with Bruce Baird of The Routledge Companion to Butoh Performance (2018). Recent choreographic premieres include aqueous (site version 2021), aqueous (stage version 2019), and 100 Ways to Kiss the Trees (2018). Rosemary is Associate Professor of Theatre and Dance at the University of Texas at Austin, with affiliations in the Center for Asian American Studies, the Center for East Asian Studies, and the Department of Women’s, Gender, and Sexuality Studies. She serves as the President of the Dance Studies Association and holds a PhD in Culture and Performance from UCLA. www,rosemarycandelario.net