Session
L'IA devant soi — The Work and Its Making
In 1975, Romain Gary won a second Prix Goncourt under the pseudonym of Émile Ajar. The Académie saw nothing. Today, they vow to reject AI-written work, without any real way to detect it.
The boundary between tool and authorial voice has always been porous. You can't draw a line between a work and its making. From a subtle proofread to deep co-authorship, AI makes this debate impossible to ignore. There is no clear threshold where a work stops being yours.
Achieving a consistent narrative identity under strict local performance constraints requires serious engineering. Outsourcing to a public LLM isn't enough. It demands vector databases, RAG, LangGraph, fine-grained context management… We built it around one rule: the craft stays in our hands.
During this keynote, that architecture will run live. A novel is in progress. you might just make it in time to watch a chapter come to life.
The Académie has already lost. They just don't know it yet.
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